Friday, 25 September 2015

A brief introduction to the esoteric World of the Wild Boar/Pig

The ritualistic sacrifice/initiation rite of passage of the Wild Boar/Pig




Throughout history the boar and the boar’s-head have been used in heraldry.
The White Boar was the personal device or badge of the English King Richard lll of England and is an early instance of the use of boars in heraldry.

The Wild Boar is mostly seen as a masculine totem for it enriches all the male virtues of bravery, nobility and fierceness in battle, but the Sow (female) is also emboldened with many of the same attributes, including protectiveness and fertility.

I have had many dreams in which the Pig features and if you are lucky to have one as your Totem creature you are extremely lucky and it will guide you to find ways to experience wonderful spirituality. 

The fertility god, Frey and his golden solarboar, Gullinborsti.  His twin sister, Freya is sometimes shown riding it.



The picture above showing The sun shining behind them, the Vanir god Freyr stands with his boar Gullinbursti, with Freya shown in the picture below.


In the Prose Edda, a name listed for boars is "Van-child".  Vanir originally represented pre-Indo-European deities or fertility Gods, and have theorized a form of the gods as venerated by the pagan Anlgo-Saxons.
In Norse Mythology, the Vanir are a group of gods associated with fertility, wisdom, nature, magic, and the ability to see the future.

The root var, for the name of the boar, is to be found in the Nordic languages in the form of bor.

The Norse tradition connected with the Goddess Freya was the Yule Oath Boar. In Scandinavian mythology, Freya is the Goddess of fertility, marriage, love and the hearth. Her sacred animal was a Golden Boar called Gullinbursti (Golden Bristles), which glowed with a golden light strong enough to drive away shadows and turn night into day. At Yule, the midwinter sacrifice of a boar was therefore seen as symbolic of the death of the old sun and the rebirth of the new on the solstice.
The boar also represented fertility and the spirit of abundance and prosperity.

Warrior’s Helmet
Many warrior’s helmets bearing boars-head crests have been found in archaeological sites, and are thought to have been worn as a symbol of the wearers courage in battle.  In Beowulf, the epic Anglo-Saxon poem (c. 700), Beowulf himself led his warriors into battle wearing a boars-head helmet as a symbol of his power and leadership.




The boar is a companion of the Celtic Diana and a frequent participant in the “wild hunt,” an otherworldly procession of faeries and ghosts. He then is a representative of the Goddess.

According to Irish legend, the boar is sacred to the Celtic Goddess Arduinna. Arduinna is a regular visitor and keeper of the Ardennes forests in Belgium.

There is evidence for an alternative zodiac or at least a sequence of stars or constellations associated with the changing seasons from a traditional German ’folk’ rhyme.
‘Eber, Riese, Himmelskuh zählen wir dem Winter zu.Hase, Wolf und Menschenpaar stellen uns den Frühling dar.In Hahn und Hengst und Ährenfrau die Sommersonne steht genau.Schwalbe, Hirsch und Bogenschütz sind des Herbstes feste Stütz.’

This has been translated into English as:

‘Boar, giant, and celestial cow we count to the winter.
Hare, wolf and human pair represent the spring.
At rooster, stallion and corn-ear-woman is summer solstice.
Swallow, deer (stag) and archer are the frame of autumn.’

From the above text, which is clearly referring to the night sky, only the human pair (Gemini), the corn-ear-woman (Virgo), and the archer (Sagittarius) are obviously discernible, although the celestial cow may represent Taurus. But noticeably within the sequence we have the appearance of a stag and a wild boar; the stag is associated with the autumn, as Scorpio is, whilst the boar is associated with the winter. In addition, the stag appears in the poem alongside the archer – remembering that Scorpio and Sagittarius are side by side in the Graeco-Roman Zodiac. This perhaps may hint at alternative northern European constellations including a stag and a wild boar; some of these may even be zodiacal.

The boar (varāha), as is well known, not only represents the third of the ten avatāras of Vishnu in the present Mahayuga, but our entire Kalpa, that is, the whole cycle of manifestation of our world, is designated as Shwêtavarāha-Kalpa, the "cycle of the white boar."

The Druids designated themselves "boars," although since symbolism has always many aspects, we may well have here also an allusion to the isolation in which they kept themselves with regard to the outside world, the wild boar always being regarded as the "solitary" one.

Primordially speaking we would then not not say "Hyperborean," but simply "Borean," thus affirming its connection with "Boreas" or "land of the boar."

It is mainly significant that we realise that in ancient times the boar represented the constellation which later became the Great Bear.

Pig Geniee
A drawing below by Jean-Claude Thibault depicting a hairy bipedal humanoid entity of diminutive stature riding a species of central and western African wild pig known as the red river hog or bush pig.


Wednesday, 15 June 2011

My Mountain


Whistling Wind leaves me high, upon a Mountain in the Sky
Suddenly i begin to fall a dream i feel engulfing all
Scratching down my Mountain side the ink runs dry, my lovers cry 
I hit the ground pieces brake with pain that echo's my Mountains shake

Lonely Clouds drifting by, dreams become
a clear Blue Sky
Daunting not this Dream to me a
story of clear Sky's to be

Least forget i beg of thee
a Mountain tall to set me free

Copyright ©Sally Jacobs 13/06/2011



Tuesday, 7 June 2011

Tears


Tears are like shadows rolling down a sad lonely face with a displaced crown
Joy is a concept all should know, an unlikely event all aglow

Fear should diminish after a dream, the nightmare begin's and is not what it seems

Friendship's a neighbour solid and true who's there at the beginning and true to you

Love is devotion but nether the less hurts like a pain you'll never forget

Death is a traitor we all one day meet, packing a punch as you lay at its feet

Life is a concept that's honest and true, things I have said are they clear to you!!!

Copyright ©Sally Jacobs 07/06/2011

Sunday, 15 May 2011

A Stolen Kiss


A need of tears come drowning fears
As lovers gain alone i wait and 
claim these songs forever dear

Want not grief alone i call
a heart all black without a soul

A kiss of poison fruitful not
a ghost of yesteryear forgot

In drinking up i do but climb
a structure all but standing time

Herald awakes this kiss to take
a stolen memory a heart to brake

Nothing more my face is not
a paleness all but time forgot

Forgiveness to ask i never hear
my memory, this story i ask you dear

Take my lips within this face cherish
my heart they do replace

Bring me back my soul to join these
lips warm and tender mine
copyright ©sallyjacobs 15/05/2011


Monday, 28 March 2011

Bone's

Caressing future's not yet sold
Un wrapping secret's all but told
Delivering Evil's all undone
Devouring justice all but done
Follow to this gaping hole
Teeth white, sharp grinding mouth
Making mine this end un known
Souls fall free are all but bone
All of time becoming one setting free there's justice won
Spirits escape from the jaw's
Luminosity endeavours to be your's
Crunching grinding absorbing all till dust delivers ether's pure
Standing stone's tumble down burning flag forever more
Persona's pure wasting time

Fighting simplified treasure's find

Copyright  ©sallyjacobs 27/03/2011

Wednesday, 9 March 2011

Snowdrops dance

Pure white Snowdrops so innocent its clear
dance in the undergrowth this time of Year

Spring flowers listen from deep in the ground
wait for sweet music to begin its sound

Grass turning greener day by day 
not yet ready for sweet Summers hay

Joyful Lambs frolic sounding their hooves
bleating for Mama needing her food

Bird song vibrant singing all
wallowing Willows standing tall

Here forth spring shoots 
from dead wood salvaged

This time shows life so constant and clear
nothings more beautiful at this time of Year

Copyright ©Sally Jacobs

        


Friday, 4 March 2011

Fylde Windmills

"The Fylde coast used to be known as 'Windmill Land' for a very good reason. The Fylde has a major natural resource - the wind - which was why there were so many windmills around the coast before coal put them out of business.

There were at one time over 40 windmills, watermills and post (peg) mills in the Fylde and Over Wyre.

Lytham Windmill ~ 
was built on what is now Lytham Green in 1805, it was worked until 1919. A "Windy Milne", shows on a fragment of a 17th century plan clearly having a post mill standing 
between Lytham Hall and St Cuthbert's Church.

Damside
Windmill ~ in Pilling was built to replace a wooden post mill. It was built in 1808 by Ralph Slate whom also built Clifton and Thornton Mills. It was built on a reed bed and has a lower course of sandstone which is surmounted by bricks. It is 30 foot in diameter at the base tapering to 17 feet at the curb.It had two double shuttered sails and two common sails that turned in anti-clockwise direction. The mill was the tallest in the Fylde.

Little Marton
Windmill ~ was recorded on Yates map of 1786 as a post mill. The land was owned by the Clifton Estate. John Talbot Clifton - decided to dispose of the land at Little Marton, Cornelius Bagot bought the mill in 1922 with the surrounding fields and the miller’s cottage. The Bagot’s also lived for a long time in Grahams House on the opposite side of the road to the mill (sadly it lies in ruins now) it was originally the Old Coaching House, an Inn for weary travellers on the old Roman Road that went to Kirkham.
Evidence a windmill stood on same site in 1665


Clifton tower ~  converted and now run as pub and restaurant. Built around 1778 Clifton Windmill is the Fylde’s tallest and oldest windmill.Until relatively recently, a fully working corn mill. Believed to be the second tallest windmill of it’s type in England, there are six floors in total.

Great Singleton
Windmill ~ demolished.







Kirkham
Windmill ~ Carr Hill tower was built in
1812 on an old Roman site. Now converted in to a house.


Staining
Windmill ~ there is a 200-year-old example, originally used to grind corn is now converted to a house.





Thornton Windmill ~ Marsh Mill built 1794 now fully restored

Weeton
Windmill ~ Weeton Vilage is recorded as 'widerun' in the Domesday Book of 1086 means a settlement where willow trees grow. The village is one of the smallest villages in rural Fylde. A village of whitewash, thatch and a windmill ruin built 1812.


Weeton Windmill ~ as it looks now.

copyright ©Sally Jacobs

Thursday, 17 February 2011

Kittens surprise

Playful Kittens happy times
Running jumping gleefully

Chasing tails and pouncing paws
Twinkling eyes surprising all

Twitching whiskers, claws are sharp
Games forever, about to start

Stalking encounters surprises forsure
Kittens forever fur-balls galore

Copyright ©sally jacobs

Thursday, 3 February 2011


Glory Glory
Heavens story
Saviour forever Heavens be

Glory Glory
Lay thee down, may thee see
Restful, Peaceful , Glory be

Glory Glory
Shining down, set thee free
Open Hearts remember me...

copyright ©Sally Jacobs

Monday, 24 January 2011

Knights Hospitallers healing center and Chapel

St Saviour's Church, Stydd Ribchester. This church is the only one surviving of a group of buildings acquired by the Knights Hospitallers in the area. 'The hospital of St Saviour, under the Long Ridge and the Master and brethren also serving God there' in the 12 century.
It is a small medieval Church founded in 1136 by the Knights Hospitallers.
The position after 1292 is that the Knights Hospitallers of the Order of St John of Jerusalem had acquired the site from 'Adam, the Chaplain-Warden of the house of St Saviour at Dutton' the transfer took place some years earlier perhaps about 1265.
Footings of a small building, with rounded bays, like an apse have been detected during excavation function include a Roman Temple to Mithras or an early Christian basilica.


The early 16th century sandstone font is octagonal, with its

carving well preserved. On each side of the bowl is a shield,
bearing heraldic and other devices.


  1. The sacred monogram: IHS (translated as 'Jesus, the Saviour of Men')
  2. The sacred heart, with the wounded hands and feet of Christ.
  3. The initials 'tP'(sic), perhaps for Thomas Pemberton, preceptor of the Knights Hospitallers at Newland, of which Stydd was a subsidiary, from 1535-1538; beneath the initials is a small quatrefoil (see 6 below).
  4. Although depicted more like a gamboling rabbit, it is clear that what is here intended is a lion rampant, a common heraldic device belonging to a number of local families, including the Hothersalls, the Balderstones or the Talbots, any one of which might be featured here.
  5. The head of an animal (referred to in heraldry as a leopard), being the arms of the Clitheroe family of Salesbury.
  6. Another heraldic device: in chief (at the top of the shield) the Cross of St George, indicating the arms of a Knight Hospitaller, below the same quatrefoil device featured in 3 above, which might be the arms of Thomas Pemberton.
  7. A shield depicting three arrowheads between a chevron, charged with three stars, being the arms of Sir Thomas Newport of Shropshire, the preceptor of the Knights Hospitallers at Newland. He died in 1502 and was buried in the citadel of the Order at Rhodes, where his memorial bears the same arms as are depicted here.
  8. Another heraldic device, being five animals' heads (perhaps bulls); of unknown origin.
A stone coffin tomb of great antiquity but unknown origin


copyright ©Sally Jacobs

Wednesday, 24 November 2010

Paradise




Oh to be in that sweet Meadow
Of long ago Yesteryear's

The warm Sun caressing my face
Life that has no age

Day's that have no darkness
Where illness barely exists

Forever in sweet beauty
Laughter fill's all Life

Smile's forever near
Why not live forever in this Field

Let us drink from it and fill our lives
So we live in here for ever more

copyright ©Sally Jacobs 24/11/2010

Monday, 8 November 2010

Rennes-le-Château


At Rennes-le-Château and Rennes-les-Bains
A Heavenly secret duth remain

Wonder for many this knowledge for few
In to words they all but do

Tombs and Mountains above and below
The Artist paints a picture

Where Bloodlines dwell the mysteries swell
Twin Towers aide the illusion

All geometry sacred or not
A place to remember
Not a place time forgot

Templar Knights help a plight
Sacred scripture evolving

Fruits to know a life to grow
The Lady my Love will elude them

Crowning glory with all its Jewels
Parchments, Scroll's, sacred text

A land that knows aided this flight
In to Safety of Arcadia and Utopia

The Heavenly scriptures contain
This grace will remain
In our Hearts and Souls forever

copyright ©Sally Jacobs

Monday, 22 February 2010

Grains of sand


















Grains of sand standing the test of time
Heaven is the sea on a tranquil day
Sun rays glistening in a play full mood
Rippling water and a gentle breeze, bring driftwood gently too the shore
Tidal meetings too then fro
Clouds full of power yet sublime
These coastal waters feel divine Pebbles gathering by the shore
Once there was life but alas no more
Life is but an empty shell,
where space an time no longer dwell

copyright ©Sally Jacobs 22/02/2010

Thursday, 18 February 2010

Moments

Moments you are the one i dream of, you are the one i long for

Needing, not needing this freedom

Heading for the place i most desire

Heartfelt and becoming your fire

Beautifully breathless you captured my heart

A journey that happens, with Love from the start

Eye's connecting, all reflecting

Moments heading that's all to begin

Take me now and release me from within

copyright ©Sally Jacobs 18/02/2010